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Plot: Two young "hippie" bikers, Wyatt and Billy sell some drugs in Southern California, stash their money away in their gas-tank and set off for a trip across America, on their own personal odyssey looking...( read more read more... ) for a way to lead their lives. On the journey they encounter bigotry and hatred from small-town communities who despise and fear their non-conformism. However Wyatt and Billy also discover people attempting 'alternative lifestyles' who are resisting this narrow-mindedness, there is always a question mark over the future survival of these drop-out groups. The gentle hippie community who thank God for 'a place to stand' are living their own unreal dream. The rancher they encounter and his Mexican wife are hard-pushed to make ends meet. Even LSD turns sour when the trip is a bad one. Death comes to seem the only freedom. When they arrive at a diner in a small town, they are insulted by the local rednecks as weirdo degenerates. They are arrested on some minor pretext by the local sheriff and thrown in jail where they meet George Hanson, a liberal alcoholic lawyer. He gets them out and decides to join them on their trip to New Orleans in time for Mardi Gras.

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Recent Reviews

  • 5.0 Stars
    MCT:
    August 31, 2008
    Dennis Hopper's SOLE legendary film,a hippie manifesto or the misfits' blues.Breathtaking,culminating road trip experience.Soundtrack is seminal,mother nature never so vengeful.
  • 4.5 Stars
    MCT:
    August 30, 2008
    Good Old 60s, MC, Hippies, and Drugs good times.... Not. But a great Movies, about 2 MC who travel around the country with no Meaning. Its was funny with Jack Nicholson as always, with his stupid helmet. hahaha
  • 5.0 Stars
    MCT:
    August 19, 2008
    I was always told to watch this movie, and I finally have. Makes you despise the south and their lack of intelligence, and sadly I know first hand, having been forced to live in that area for a several year span in my life. I don't recommend living in the deep southeast, the ignorance is rather alarming.
  • 1.0 Star
    MCT:
    August 18, 2008
    Terrible editing, poorly acted, silly dialog and pointless movie. I don't understand why people like it, maybe because when a movie gets old it gets more respect?
    Wild Hogs is much much better..
  • 3.5 Stars
    MCT:
    July 30, 2008
    A defining film of the 60's generation, looks maybe a little dated now but it carries the same spirit it always did, the grandaddy of all road movies, i think its really a tale of growing up and learning the fact that good guys finish last and of course one great scene about the illusion of "freedom" a lil piece of American commentary P.S. ignore the UFO bit P.P.S. finding out just how defining this was to a sense of freedom recently revieled that there were huge chucks improvised, actors were directors and Jack Nickleson's role was decided all on one simle in his audition, this was truely innovative and free in film making terms
  • 3.0 Stars
    MCT:
    July 25, 2008
    a defining film for 60s counterculture. really depressing in the sense that the spiritual journey and search for freedom ends so tragically. poignant realism combines with trippy, unusual editing in a style strongly influenced by French New Wave, but still uniquely American. awesome soundtrack as well. overall pretty good movie, but I can't say it did much for me.
  • 3.0 Stars
    MCT:
    July 21, 2008
    While it's not a great movie. It is an important movie. This movie is responsible for the the New Hollywood of the 70's.

    That said,the song "Don't bogart that joint, my friend" is genius.
  • 4.0 Stars
    MCT:
    July 12, 2008
    I applaud counterculture when it reaches such intensity, veracity and boldness. A landmark film that cleverly showed the middle finger to an entire era, and still does.
  • 1.0 Star
    MCT:
    July 9, 2008
    Why??? There is NO POINT in this movie. Unless the point is supposed to be that drug dealing hippie bikers are all model citizens and everyone else is judgmental, and generally evil. I mean, it was very well acted, but there was no back story, no connection to the characters... I was sorely disappointed. And I'm one who loves biker movies and hippie movies, I just didn't see that point.
  • 3.0 Stars
    MCT:
    July 6, 2008
    hmm... i've given it a 3 for shock value. i did not expect it to end the way it did! most of the film is just two guys riding their motorcycles on the highway, and then there's a drugged up part and finally a brutal violent part. although it shocked me i didn't think it was good. maybe good for a first viewing but after that you will only find it disappointing at the end... as the three characters (including nicholson by then) don't really put up much of a fight. they just run away from everything. i guess that's the stupid hippy peace ideal coming through. watch it once! and then never again!
  • 5.0 Stars
    MCT:
    July 4, 2008
    one of the legend films ..a unique road movie ...a poem about lost innocent , about earth ,about freedom
  • 3.0 Stars
    MCT:
    June 29, 2008
    Laszlo Kovacs, a Hungarian cinematographer who fell in love with the American landscape on a cross-country bus ride and then used light, shadow and imagination to give visual shape to seminal films like ?Easy Rider,? died on Sunday at his home in Beverly Hills, Calif. He was 74.

    Adrees Latif/Reuters, 2002

    Laszlo Kovacs
    Enlarge This Image

    Columbia Pictures

    In films like ?Easy Rider? (1969), Laszlo Kovacs blended a love of landscape with an innovative filming style.

    His death was announced by the International Cinematographers Guild. James Chressanthis, a cinematographer who is preparing a documentary on Mr. Kovacs and his friend and fellow cinematographer Vilmos Zsigmond, said that the cause was not known but that Mr. Kovacs had earlier had cancer.

    Mr. Kovacs came along in the 1960s when the old studio system was sputtering and a new independent cinema was rising. Filmmakers emerged from film schools and work on B movies to challenge traditional themes and techniques and create what has been called ?the new Hollywood,? or ?the American new wave.?

    Production moved from the studios to the streets, and the new breed used small crews, lightweight equipment and innovative means of coping with low budgets. Improvisation was both artistic goal and hard necessity. In ?Easy Rider? (1969), Mr. Kovacs used a 1968 Chevrolet convertible as his camera car, making the platform for his camera from a piece of plywood on the trunk held in place by a sandbag.

    In that movie, he wanted to portray something hopeful after the fiery demise of the character played by Peter Fonda. A rising helicopter delivered a panoramic view of the horizon, but only after Mr. Kovacs balanced a camera on one skid and counterweights on the other to keep the helicopter from tipping over.

    In ?Five Easy Pieces? (1970), Mr. Kovacs memorably matched the color of Susan Anspach?s blue eyes and the sky. In another scene, he shot Ms. Anspach and then let his camera drift elsewhere; she scurried behind the camera and he arrived back at her face, giving the illusion that the shot had gone all the way around the room.

    His tricks included using flashing lights and other techniques to create the impression of psychedelic hallucinations. His goal was to let the environment make statements about the characters. He intended for the foggy islands of the Pacific Northwest to explain the tight little family in ?Five Easy Pieces.?

    Most of his major works are clustered at the start of the 1970s, including ?That Cold Day in the Park? (1969), Robert Altman?s third feature as a director, and ?The King of Marvin Gardens? (1972), which, like ?Five Easy Pieces,? was directed by Bob Rafelson. He did six pictures with the director Peter Bogdanovich, including ?Targets? (1968), ?What?s Up, Doc?? (1972) and ?Paper Moon? (1973).

    His range grew wider, with credits including Martin Scorsese?s movies ?New York, New York? (1977) and ?The Last Waltz? (1978) and Hal Ashby?s ?Shampoo? (1975). Other movies included ?Ghost Busters? (1984) and ?My Best Friend?s Wedding? (1997).

    Mr. Kovacs was born on May 14, 1933, in Cece, a farming village about 60 miles west of Budapest. During the Nazi occupation, he distributed flyers for the propaganda movies shown each week in a school auditorium. His pay was a free seat, and he was fascinated by the flickering images.

    In 1945, he was accepted into the Academy of Drama and Film Art in Budapest, where students watched Western films surreptitiously. He was swept off his feet by ?Citizen Kane,? saying it ?changed my visual vocabulary.?

    In the uprising against the Communist regime in 1956, he and Mr. Zsigmond shot 30,000 feet of film at great risk to themselves. They escaped with the film, and some of it eventually became part of a documentary a few years later.

    They both bounced among odd jobs. Around 1957, Mr. Kovacs, who had arrived in the United States speaking no English, moved from New Jersey to Seattle, taking the memorable bus ride that found echoes later in ?Easy Rider.? In 1959, he took another bus to Los Angeles, where he reunited with Mr. Zsigmond.

    Mr. Kovacs did movies like ?The Notorious Daughter of Fanny Hill? (1966), often working with the B movie producer Roger Corman. After he shot eight biker movies in one year, Dennis Hopper asked him to do another. Mr. Kovacs?s reluctance to repeat himself vanished after Mr. Hopper acted out the script. ?Easy Rider,? with a budget of $340,000, was a sensation at Cannes and made $60 million.

    Mr. Kovacs is survived by his wife, Audrey, and his daughters Julianna and Nadia.

    He prided himself on spontaneity. He and the other crew members had no preconceived idea where they would shoot the classic scene in ?Five Easy Pieces? in which Jack Nicholson orders a chicken salad sandwich without the chicken salad just to get the toast he wants.

    ?Approaching the freeway, we saw a little rise, and there was the cafe,? he said in an interview with American Cinematographer magazine in 2005. ?I think we shot that scene in two hours, and then we moved on.?
  • 4.0 Stars
    MCT:
    June 21, 2008
    directed by hopper and starring him self, a film very influential in the list of films that brought independent filmmaking into the 70s, and paved the way for many, scorsese spielberg, and so on, a good solid road movie, with great performanbces from hopper, fonda, and a exelklent nicholson, this is where the 60s ended
  • 4.0 Stars
    MCT:
    June 11, 2008
    Seriously, what a depressing movie; but a great one with that. All three actors do fantastic jobs, but it's Jack Nicholson who (once again) steals the show. The plot is very simple and has been copied HUNDREDS of times throughout the years. Overall a very good film.
  • 3.5 Stars
    MCT:
    June 7, 2008
    Pretty freakin funny... but the ending was sooo messed up. Jack Nicholson is awesome in this cus he's as normal as I've ever seen him in a movie even though he's a crazy drunk. I loved the music... cept for the weird country one about "bogarting joints"... but ya, this was pretty cool. I don't do drugs...
  • 4.0 Stars
    MCT:
    June 7, 2008
    What a depressing character study and an awesome cast. You sink simultaneously with the film; what a grand direction.

    84/100
  • 3.0 Stars
    MCT:
    June 6, 2008
    Wow! This film can look a lottle simple minded for some but they've got it all wrong, Easy Rider is a work of art, the western of motors and the motor of westerns. Think about that.
  • 1.5 Stars
    MCT:
    June 6, 2008
    Don't see what all the fuss is about. It's cool as a portrait of a certain time & place, but the movie itself is below average. It had no plot that I could find.
  • 3.0 Stars
    MCT:
    June 4, 2008
    After much anticipation to see 'Easy Rider', I must say it was a bit more trippy than I was expecting but very interesting to say the least. The most disappointing parts of the film were Jack Nicholson's short lived turn as George Hanson and the abrupt ending, which both seem to be frequent complaints. Hopper and Fonda both did a terrific job, and the soundtrack fit perfectly. This picture is far from flawless, but you can easily see it it's inspiration in many other films following it. Time is taking, and will continue taking it's toll on this picture but this will always be a blueprint for 60's pop culture...
  • 5.0 Stars
    MCT:
    May 29, 2008
    wow. the quintessential counter-culture mixed with road trip movie. kind of have to be/have done drugs to get this one. To quote the hip-hop group Clipse, 'tomorrow ain't promised so we live for the moment.'
  • 5.0 Stars
    MCT:
    May 26, 2008
    It's hard to believe one of the most significant, most iconic road movies was directed by an amateur (Dennis Hopper) - well, it was. Easy Rider is not just about flower people, or the matter of subcultures. For me it deals with the idea of minority, of being against in general. Fantastic soundtrack and unforgettable supporting role from Nicholson.
  • 3.5 Stars
    MCT:
    May 16, 2008
    It's mantra is profound, and it's influence: undeniable. Whilst is has moments of haunting brilliance and a memorable performance from a young Jack Nicholson, it is ultimately too inconsistent in exectuion to be considered a great 'film'.
  • 3.0 Stars
    MCT:
    May 14, 2008
    Kinda plays like a looong music video until that disturbing post-mardi gras sequence, which I kind of liked.

My Friends Said...

Easy Rider Recent Reviews

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Comments

  • broadwaymo
    George Hanson: "You know, this used to be a helluva good country. I can't understand what's gone wrong with it."

    Billy: "What the hell is wrong with freedom? That's what it's all about."

    George Hanson: "Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different things. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em."


    Wild Hogs... Please!
    posted 72 days ago
  • tannerbjj
    "No, man, like hey, man. Wow. I was watching this object man, li-like the satellite that we saw the other night, right? And, like, it was going right across the sky, man, and then... I mean it just suddenly, uh, it just changed direction and went whizzin right off, man. It flashed..."
    posted 218 days ago
  • madcat612
    "I'm hip about time, man...I just gotta go."
    posted 330 days ago
  • Lloydlicious
    Ride or High!
    posted 573 days ago
  • peek89
    This film was amazing. It's from people who were really part of the 60's drug scene so you know it's truthful. This is a truly timeless movie. I love it!
    posted 800 days ago

Details

  • Rated: (R)
  • Directed by: Dennis Hopper
  • Genres: Action & Adventure, Drama, Classics
  • Released: January 1, 1969
  • DVD Released: December 7, 1999

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